"All I know...is if you don’t figure out something then you’ll just stay ordinary, and it doesn’t matter if it’s a work of art or a taco or a pair of socks! Just create something new and there it is! And it's you, out in the world, outside of you and you can look at it or hear it or read it or feel it and you know a little more about...you. A little bit more than anyone else does. Does that make any sense at all?"

Friday, February 12, 2010

11. The Shape of Content

Obsessive Compulsive

As inevitable as a clock’s tick, my hand slips back as I count.
One, skip one, three, four.
tick, Tick, tick, tick.
Why can’t I be normal?

One, skip one, three, four.
It is compulsive. It is repulsive.
Why can’t this be normal?
I try so hard.

It is repulsively compulsive though,
and each time my hand and mind combat. But it continues.:
One, skip one, three, four
I try so hard--

My hand and mind combat. Will it continue?
My hand jerkily falters.
One--two--three, four.
I hold still so I won’t be this way.

But my hand begins to falter.
Tick. Tick. Tick. Tick.
I can’t hold still. I can’t be this way.
As inevitable as a clock’s tick, my hand slips back. And I re-count.



I think I can already feel how much 3200 has changed my ideas about poetry and myself as a poet. I still say I'm not, and I don't know why, because I don't hate it anymore, but I stand by that idea. Regardless, I can already look at past poems, just from the last couple of semesters, and compare them to poems of the last few weeks and see/hear a difference. I don't know if my readers totally see the depth I do, but that's the next step.

I say that because of the above poem. I wrote it for a class last year and at the time really like the outcome. I thought that for only my first or second try at a pantoum it wasn't so bad. I guess I still believe that, considering it was also about the fourth poem I'd written in the past six years, but now I can look at it and think "Ah, I should have done that."

Other than the obviously horrific and unoriginal title, I notice several places with opportunities to make the lines so much stronger and so less cliched. But what I still enjoy about this particular piece is the subject in relation to the form. What better subject matter is there, for a rigid form such as a pantoum, than being bound by OCD?

I'm looking forward to editing this into a better state as well as trying another pantoum this weekend!

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